Adventure? Excitement?
You will no longer find that here.
But if you are looking for that sort of thing, may I suggest the following website:
The 215
Here, your wildest dreams can come true.
People throw ducks at balloons and nothing is as it seems.
Thank you for your continued support, and ah, the check is in the mail.
Friday, February 22, 2008
Tuesday, February 12, 2008
Pitchers & Catchers
Pitchers and catchers.
Catchers and pitchers.
Probably the three greatest words you could hear this time of year.
Spring training is upon us, and the Boys of Summer are gearing up for a long, looong season.
Right now in Pennsylvania, spring is still pretty far off. In fact, thanks to Al Gore, it sounds like winter is about to start this afternoon, circa 1 PM.
However, just the knowledge that an 18-wheeler carrying more gloves, bats, helmets, sunflower seeds, cleats, cups, and caps than you could possibly imagine is heading down to Clearwater, FL, and that any day now I will be watching the news and see grown men in red pinstripe warm-ups leisurely having a catch, or stretching their hamstrings, or jogging around the outfield wall in the warm Florida sun, is enough for me.
Sure, I may be shoveling snow this afternoon, and I may be doing so for the next 3-4 weeks. But the ball has officially started rolling. Nothing you can do about it now. Cobwebs are being dusted off as we speak. Batters will gradually get their timing back, and the pitchers will start increasing their pitch count. The new guys will start to find their niche and the roster will start to come together. Then, before you know it, it is March 31, 3:05 PM, and Harry Kalas is welcoming us all to Citizens Bank Park for the 2008 Home Opener of the National League East Champions.
While I may be dealing with wintry mixes and cabin fever, I know that my local ballclub, those Phightin' Phils, are getting ready for opening day.
And that is enough for me.
Because more so than a calendar, or some groundhog up in Gobbler's Knob, when I hear the words 'pitchers and catchers,' I know that spring, though it may not have necessarily sprung just yet, is certainly around the corner.
Catchers and pitchers.
Probably the three greatest words you could hear this time of year.
Spring training is upon us, and the Boys of Summer are gearing up for a long, looong season.
Right now in Pennsylvania, spring is still pretty far off. In fact, thanks to Al Gore, it sounds like winter is about to start this afternoon, circa 1 PM.
However, just the knowledge that an 18-wheeler carrying more gloves, bats, helmets, sunflower seeds, cleats, cups, and caps than you could possibly imagine is heading down to Clearwater, FL, and that any day now I will be watching the news and see grown men in red pinstripe warm-ups leisurely having a catch, or stretching their hamstrings, or jogging around the outfield wall in the warm Florida sun, is enough for me.
Sure, I may be shoveling snow this afternoon, and I may be doing so for the next 3-4 weeks. But the ball has officially started rolling. Nothing you can do about it now. Cobwebs are being dusted off as we speak. Batters will gradually get their timing back, and the pitchers will start increasing their pitch count. The new guys will start to find their niche and the roster will start to come together. Then, before you know it, it is March 31, 3:05 PM, and Harry Kalas is welcoming us all to Citizens Bank Park for the 2008 Home Opener of the National League East Champions.
While I may be dealing with wintry mixes and cabin fever, I know that my local ballclub, those Phightin' Phils, are getting ready for opening day.
And that is enough for me.
Because more so than a calendar, or some groundhog up in Gobbler's Knob, when I hear the words 'pitchers and catchers,' I know that spring, though it may not have necessarily sprung just yet, is certainly around the corner.
Wednesday, February 6, 2008
2008 Wishlist
Okay, it looks like 2008 has gone ahead and snuck up on us. I believe if I was a more thoughtful blogger, or perhaps just a more organized person, I would have posted a blog on or near Dec. 31 2007 that would have said things like:
Best Song of the Year:
Best Movie of the Year:
Best Philadelphia Sports Team of the Year:
Etc... of the Year:
But I didn't do that. And I don't think I have the authority to make those kinds of decisions.
The next step, as a thoughtful and organized person, would have been to post something on or near Jan. 1, 2008 that would say things like:
"It looks like a new year is upon us. My goals for '08 are to be a more thoughtful and organized person, blah blah blah."
Yeah, I didn't do that either. But there's nothing wrong with getting a late start to the party, so here goes my 2008 wishlist (as always, in no particular order).
(Editor's Note: Items No. 1 and 2 on the list are post-dated)
1. Patriots lose the Super Bowl
2. Giants lose the Super Bowl
3. Phillies sign a pitcher (Kyle Lohse)
4. Johan Santana gets injured in Spring Training
5. Eagles make a splash in free agency (WR, Safety, D-End)
6. McNabb stays in Philly
7. Phillies win a playoff series
8. Chase Utley wins MVP (Important: Only want this to come true if Phillies actually win playoff series...I don't want them to be known as the team with 3 MVPs and no playoff wins)
9. Eagles just give Brian Westbrook a bunch of money...I don't care how. Try another "bookkeeping error," bake it into a pie, send him a letter postmarked with a $2 million stamp Brewster's Millions style. Whatever, just pay the man.
10. Somehow the Sixers are able to get a great draft pick (top 6) without necessarily losing the competitive spirit they have been playing with. Kind of a Catch-22, I know, but this needs to happen. Getting the 12th pick in the draft is not going to do us any good. I don't want to trade Andre Miller, and I don't want to see any injuries, but maybe a compromise: A fake injury to Miller or Iguodala where they skip like 1 out of every 3 games. Or, we promise to David Stern not to tank on purpose, and further undermine the credibility of the league, in exchange for a disproportionate number of ping-pong balls. Seems reasonable.
(By the by, I just used the phrase 'undermine credibility.' Is there another way to adversely affect credibility other than undermining it? Is there anything else you can undermine other than credibility? Or are these guys like PB & J? I need an answer to this.)
So it seems like my 2008 wishlist revolves solely around the Philadelphia sports team, and specifically two of those teams. Whatever. As they say, I don't have bigger fish to fry.
Stay tuned, we are bringing blogs back in '08!
Oh, and furthermore Susan, Gobbler's Knob (of Groundhog Day fame) has banned alcohol. On a related note, I will be using Gobbler's Knob as my next fantasy sports team, trivia night, and Rock Band names.
Best Song of the Year:
Best Movie of the Year:
Best Philadelphia Sports Team of the Year:
Etc... of the Year:
But I didn't do that. And I don't think I have the authority to make those kinds of decisions.
The next step, as a thoughtful and organized person, would have been to post something on or near Jan. 1, 2008 that would say things like:
"It looks like a new year is upon us. My goals for '08 are to be a more thoughtful and organized person, blah blah blah."
Yeah, I didn't do that either. But there's nothing wrong with getting a late start to the party, so here goes my 2008 wishlist (as always, in no particular order).
(Editor's Note: Items No. 1 and 2 on the list are post-dated)
1. Patriots lose the Super Bowl
2. Giants lose the Super Bowl
3. Phillies sign a pitcher (Kyle Lohse)
4. Johan Santana gets injured in Spring Training
5. Eagles make a splash in free agency (WR, Safety, D-End)
6. McNabb stays in Philly
7. Phillies win a playoff series
8. Chase Utley wins MVP (Important: Only want this to come true if Phillies actually win playoff series...I don't want them to be known as the team with 3 MVPs and no playoff wins)
9. Eagles just give Brian Westbrook a bunch of money...I don't care how. Try another "bookkeeping error," bake it into a pie, send him a letter postmarked with a $2 million stamp Brewster's Millions style. Whatever, just pay the man.
10. Somehow the Sixers are able to get a great draft pick (top 6) without necessarily losing the competitive spirit they have been playing with. Kind of a Catch-22, I know, but this needs to happen. Getting the 12th pick in the draft is not going to do us any good. I don't want to trade Andre Miller, and I don't want to see any injuries, but maybe a compromise: A fake injury to Miller or Iguodala where they skip like 1 out of every 3 games. Or, we promise to David Stern not to tank on purpose, and further undermine the credibility of the league, in exchange for a disproportionate number of ping-pong balls. Seems reasonable.
(By the by, I just used the phrase 'undermine credibility.' Is there another way to adversely affect credibility other than undermining it? Is there anything else you can undermine other than credibility? Or are these guys like PB & J? I need an answer to this.)
So it seems like my 2008 wishlist revolves solely around the Philadelphia sports team, and specifically two of those teams. Whatever. As they say, I don't have bigger fish to fry.
Stay tuned, we are bringing blogs back in '08!
Oh, and furthermore Susan, Gobbler's Knob (of Groundhog Day fame) has banned alcohol. On a related note, I will be using Gobbler's Knob as my next fantasy sports team, trivia night, and Rock Band names.
Tuesday, February 5, 2008
Desert Island Discs
So last week we discussed the one artist you would take with you on a road trip. I decided that the two most important factors were you had to really like the artist (obviously) and they had to have a wide and diverse catalogue.
When I posed the question of desert island discs, I got some feedback wondering if the question was really any different. I gave an emphatic 'yes'.
Obviously, for either question, you are going to need to really like the artist, but the reason I chose the road trip artist had a lot to do with a wide and diverse catalogue. Almost a quantity over quality issue. The point of the road trip artist is to get through a long journey without getting sick of the music you are listening to. If you are stuck on a desert island for years, and only have 3-5 CDs, there is no way you will be able to listen to that music the entire time. Most likely you will pick a time of day to relax and enjoy some music, maybe when the sun is setting and you are done your work for the day (you know, drinking coconuts, fashioning rafts, talking to volleyballs), maybe first thing in the morning to get you started on your quest to kill that wild boar that has been stealing your nuts and berries.
So in this instance, quality is going to rule over quantity. Also, we are picking discs, not artists, so this is where a new artist with maybe one or two great CDs will get the nod, or maybe an artist that was a little inconsistent and you only enjoy some of their albums.
For the purpose of brevity, and to really make you think, we are going to go with 3 albums instead of 5.
I am thinking off the top of my head here, but let's get at it.
No. 1: Yankee Hotel Foxtrot, Wilco
This is an easy one for me. Of all the albums that came out while I was at a CD-buying age, this is my favorite. I've been listening to it since the summer after senior year of high school, and was still picking out new things years later. The opening song, I Am Trying to Break Your Heart, is riiiii-diculous. It also does a great job of setting the tone for the album, and, dare I say it, acts as a microcosm for YHF. The themes of disconnected lyrics, musical peaks and valleys, and "found sounds" (for lack of a better word) exist throughout the album. Some other highlights for me include the transition from Heavy Metal Drummer to I'm the Man Who Loves You, the song Jesus, Etc, and the lady saying Yankee. Hotel Foxtrot. at the end of Reservations. Definitely an album you can put in and just listen to straight through and feel like you've actually accomplished something.
(sidenote: I listened to this album on the last night of a trip to Ireland in a friend's laptop and the laptop discplayer got stuck and the cd was last forever.)
No. 2: American Beauty, Grateful Dead
This was a tough one to choose over Workingman's Dead. I have always had a thing for WD, especially the song High Time, but I had to go with AB because of Box of Rain and Ripple....or maybe because of Candyman and Brokedown Palace...although it might have something to do with Friend of the Devil and Sugar Magnolia. What I can say for sure is that I didn't choose it because of Truckin' or Operator or 'Til the Morning Comes, but Attics of My Life most definitely had a role in the decision. What I'm getting at here is that I could never pick a favorite song on this album. They have fast tempo songs, slow tempo songs, and the lyrics always tell great stories. I feel like the Grateful Dead would really be able to keep you company.
The third choice is going to be a tough one, that's for sure. And there are a few issues I need to cover before I make a decision.
First of all, am I going to go for an old album or a new one? According to all the lists, the majority of the best albums were created in the 70s, and they were made be the Beatles, the Rolling Stones, Bob Dylan, etc...
I am not going to argue with anybody that picks a Beatles album, but I don't know if I can do it. I never went through a Beatles phase, I just picked up more and more songs as time went by. I certainly do not have a memory of listening to an entire Beatles album straight through.
Whereas with most newer albums that I own, I can remember the day I bought it and all the time I spent listening to it. So do I choose an album from when I was in high school that I specifically remember and have those emotional ties to? Or do I go with something a bit more universal?
Some artists that keep coming up are Bob Dylan, Bob Marley, and the Counting Crows. With the Bobs (not the office space bobs), no album comes to mind, just the idea that it would be nice to have a bunch of their songs on a CD if I am on a desert island. ...
sidetrack...
is it desert island, or deserted island? Are there actual desert islands? Maybe it is a deserted desert island. Uh-oh, I think I wrote the word desert too many times and now it is losing all meaning....
okay, back to the lesson at hand.
With the Counting Crows, I have two albums come to mind, August and Everything After and This Desert Life.
Oh my god, I just wrote desert again and I had no idea I was about to do it.
Come on, Rob, focus!
Okay, so those are two very good Counting Crows albums, and I definitely have emotional connections to them. A&EA would be the typical choice I think, because it has that feel to it, of listening to the entire album as a process. There aren't too many holes and there are a lot of common themes. But it's kind of sad and mopey, so I'm not going to pick it. Instead, I am going to rely on YHF and AB for my sonic brainfood, and, for my listening pleasure, and because it almost makes too much sense to have this on an island with sand and coconuts, I am going with...
(drumroll please)
No. 3: Legend, Bob Marley
I don't care if it's a greatest hits album, it's got all his hits. And everybody loves Bob Marley, so I can maybe impress some local creatures.
By the way, my formula is
(modern album with emotional ties) + (older album with emotional ties) + (greatest hits album to make you feel good) = desert island discs.
Oh, and furthermore Susan, I recently wrote a letter to a sauce company telling them that I enjoyed all their products but their bleu cheese left a little to be desired. Haven't heard back yet.
When I posed the question of desert island discs, I got some feedback wondering if the question was really any different. I gave an emphatic 'yes'.
Obviously, for either question, you are going to need to really like the artist, but the reason I chose the road trip artist had a lot to do with a wide and diverse catalogue. Almost a quantity over quality issue. The point of the road trip artist is to get through a long journey without getting sick of the music you are listening to. If you are stuck on a desert island for years, and only have 3-5 CDs, there is no way you will be able to listen to that music the entire time. Most likely you will pick a time of day to relax and enjoy some music, maybe when the sun is setting and you are done your work for the day (you know, drinking coconuts, fashioning rafts, talking to volleyballs), maybe first thing in the morning to get you started on your quest to kill that wild boar that has been stealing your nuts and berries.
So in this instance, quality is going to rule over quantity. Also, we are picking discs, not artists, so this is where a new artist with maybe one or two great CDs will get the nod, or maybe an artist that was a little inconsistent and you only enjoy some of their albums.
For the purpose of brevity, and to really make you think, we are going to go with 3 albums instead of 5.
I am thinking off the top of my head here, but let's get at it.
No. 1: Yankee Hotel Foxtrot, Wilco
This is an easy one for me. Of all the albums that came out while I was at a CD-buying age, this is my favorite. I've been listening to it since the summer after senior year of high school, and was still picking out new things years later. The opening song, I Am Trying to Break Your Heart, is riiiii-diculous. It also does a great job of setting the tone for the album, and, dare I say it, acts as a microcosm for YHF. The themes of disconnected lyrics, musical peaks and valleys, and "found sounds" (for lack of a better word) exist throughout the album. Some other highlights for me include the transition from Heavy Metal Drummer to I'm the Man Who Loves You, the song Jesus, Etc, and the lady saying Yankee. Hotel Foxtrot. at the end of Reservations. Definitely an album you can put in and just listen to straight through and feel like you've actually accomplished something.
(sidenote: I listened to this album on the last night of a trip to Ireland in a friend's laptop and the laptop discplayer got stuck and the cd was last forever.)
No. 2: American Beauty, Grateful Dead
This was a tough one to choose over Workingman's Dead. I have always had a thing for WD, especially the song High Time, but I had to go with AB because of Box of Rain and Ripple....or maybe because of Candyman and Brokedown Palace...although it might have something to do with Friend of the Devil and Sugar Magnolia. What I can say for sure is that I didn't choose it because of Truckin' or Operator or 'Til the Morning Comes, but Attics of My Life most definitely had a role in the decision. What I'm getting at here is that I could never pick a favorite song on this album. They have fast tempo songs, slow tempo songs, and the lyrics always tell great stories. I feel like the Grateful Dead would really be able to keep you company.
The third choice is going to be a tough one, that's for sure. And there are a few issues I need to cover before I make a decision.
First of all, am I going to go for an old album or a new one? According to all the lists, the majority of the best albums were created in the 70s, and they were made be the Beatles, the Rolling Stones, Bob Dylan, etc...
I am not going to argue with anybody that picks a Beatles album, but I don't know if I can do it. I never went through a Beatles phase, I just picked up more and more songs as time went by. I certainly do not have a memory of listening to an entire Beatles album straight through.
Whereas with most newer albums that I own, I can remember the day I bought it and all the time I spent listening to it. So do I choose an album from when I was in high school that I specifically remember and have those emotional ties to? Or do I go with something a bit more universal?
Some artists that keep coming up are Bob Dylan, Bob Marley, and the Counting Crows. With the Bobs (not the office space bobs), no album comes to mind, just the idea that it would be nice to have a bunch of their songs on a CD if I am on a desert island. ...
sidetrack...
is it desert island, or deserted island? Are there actual desert islands? Maybe it is a deserted desert island. Uh-oh, I think I wrote the word desert too many times and now it is losing all meaning....
okay, back to the lesson at hand.
With the Counting Crows, I have two albums come to mind, August and Everything After and This Desert Life.
Oh my god, I just wrote desert again and I had no idea I was about to do it.
Come on, Rob, focus!
Okay, so those are two very good Counting Crows albums, and I definitely have emotional connections to them. A&EA would be the typical choice I think, because it has that feel to it, of listening to the entire album as a process. There aren't too many holes and there are a lot of common themes. But it's kind of sad and mopey, so I'm not going to pick it. Instead, I am going to rely on YHF and AB for my sonic brainfood, and, for my listening pleasure, and because it almost makes too much sense to have this on an island with sand and coconuts, I am going with...
(drumroll please)
No. 3: Legend, Bob Marley
I don't care if it's a greatest hits album, it's got all his hits. And everybody loves Bob Marley, so I can maybe impress some local creatures.
By the way, my formula is
(modern album with emotional ties) + (older album with emotional ties) + (greatest hits album to make you feel good) = desert island discs.
Oh, and furthermore Susan, I recently wrote a letter to a sauce company telling them that I enjoyed all their products but their bleu cheese left a little to be desired. Haven't heard back yet.
Thursday, January 24, 2008
Road Trippin'
Q: If you could only listen to one artist while on a long road trip, who would it be, and why?
A: My first answer, either the Grateful Dead, Rolling Stones, or Beatles.
The main reason is they have a huge catalogue, which means you wouldn't get stuck listening to the same songs. If you pick your favorite band right now, let's say, Gnarls Barkley por ejemplo, you would only have like 1 album to listen to.
Also, these bands have a pretty wide range of genres, so it's not like you would only want to listen to them if you were in one particular mood. For example, if you choose the Rolling Stones, you could go from Jumpin' Jack Flash to Wild Horses and then Love in Vain. Coldplay would not be a very good choice, because the songs all sound the same. When the trip is over, you would be in a pretty depressed/low-key mood. No good.
Out of these three bands, I am going to have to go with the Grateful Dead. They are probably my favorite of the three, which helps, but there is more to it than that. They have a few different styles, which would be a nice change of pace.
You could start out listening to a live album and get through the first couple hours listening to only like, 10 songs. They have half hour jams! After that, you could put in a couple of their studio albums, specifically Workingman's Dead and American Beauty. These albums contain gems like Dire Wolf, Box of Rain, and Ripple. These are all typical "songs," meaning they don't go on for extended periods of time. Plus, they have more of a laid back, acoustic vibe to them, almost alt-country, so it would be a good switch from the electric freakouts of songs like Samson & Delilah, Bertha, and Estimated Prophet. Finally, you could follow that up with their greatest hits, and get songs like Scarlet Begonias, Truckin', and One Toke Over the Line. You could then go back to another live album (they have tons), and get a chance to hear those traditional songs off W.D. and A.B. in a live context. You can't go wrong, I say.
You want a more recent band? Okay, I would say either Red Hot Chili Peppers or Sublime. I am a bit partial to Sublime, so that is who I would choose (No disrespect to RHCP).
With Sublime, you could just play every album in order. The first would be 40 oz. to Freedom, a great choice for the beginning of a road trip. Their style incorporates punk, hip-hop, acoustic ballads, reggae and ska, so it changes from song to song, let alone album to album.
After 40 oz. you get Robbin' The Hood. You can use this time to A) think about how ridiculous Raleigh Theorore Sakers is and B) be baffled as to how Robbin' the Hood came after 40 oz. If you listened to these two albums without knowing anything about the band, you would assume the opposite. Robbin' the Hood is clearly a lo-fi, DIY debut album, and 40 oz. is the wiser follow-up by a more mature band. Nope, you got it backwards.
These guys released 40 oz., which includes hits like Bad Fish, Don't Push, and Date Rape, a monster album when all is said and done, and followed it up with Robbin' the Hood, an album full of instrumentals, fillers, and, of course, the rants of one Raleigh Theodore Sakers. (To give you some insight into why they did that, RTH was Brad Nowell's answer to all the people who thought he was in the music biz strictly for the money.)
The equivalent to this would be something like the Eagles releasing their debut, with Peaceful Easy Feling and Witchy Woman, and coming back with a DJ Sizzurp mixtape.
After this, you could get into their self-titled third and final studio album. Find me one person who would not want to hear Santeria, What I Got, and Wrong Way. The beauty of these three albums is that they have some major, radio-friendly hits, but also songs that could have come from a Beastie Boys, Black Flag, or Jimmy Cliff album. Plus, they cover a lot of good songs, so they got that going for them.
After the three studios, you could finish the trip listening to 2 live albums: Stand By Your Van and Sublime Acoustic. SBYV and SA were recorded pre-Sublime, so you're not going to hear a live version of What I Got or Santeria, but they are real cool albums. 40 oz. is very well produced, with lots of added effects and backing vocals, etc. It is real neat to see them pull off songs like DJs and Waitin' For My Ruca live, with just a bass, guitar, and drums.
Sublime Acoustic gives you a similar feel. It is pretty much just Brad playing with his guitar, and would be a nice change of pace when you are trying to have some mellow time on the road. If there is still some miles to travel, pop in one of the compilations. I suggest Second-Hand Smoke. It has a lot of remixes and dubs, plus it opens with Get Out, which is an awesome song. The thing you will learn about Sublime is that may have the same song on three different albums, but it will sound different each time (kinda like the Grateful Dead).
So those are my two choices: Sublime and the Grateful Dead. In fact, if the question-poser allows me to take both of these artists with me, I could probably make it to California no sweat.
Radio? Where we're going, we don't need the radio!
Oh, and furthermore, Susan, if you are reading this, what do you think? Which artist would you pick if you were on a road trip? And why? How about a desert island? Would you pick a different artist? Maybe we will follow this up with desert island discs.
A: My first answer, either the Grateful Dead, Rolling Stones, or Beatles.
The main reason is they have a huge catalogue, which means you wouldn't get stuck listening to the same songs. If you pick your favorite band right now, let's say, Gnarls Barkley por ejemplo, you would only have like 1 album to listen to.
Also, these bands have a pretty wide range of genres, so it's not like you would only want to listen to them if you were in one particular mood. For example, if you choose the Rolling Stones, you could go from Jumpin' Jack Flash to Wild Horses and then Love in Vain. Coldplay would not be a very good choice, because the songs all sound the same. When the trip is over, you would be in a pretty depressed/low-key mood. No good.
Out of these three bands, I am going to have to go with the Grateful Dead. They are probably my favorite of the three, which helps, but there is more to it than that. They have a few different styles, which would be a nice change of pace.
You could start out listening to a live album and get through the first couple hours listening to only like, 10 songs. They have half hour jams! After that, you could put in a couple of their studio albums, specifically Workingman's Dead and American Beauty. These albums contain gems like Dire Wolf, Box of Rain, and Ripple. These are all typical "songs," meaning they don't go on for extended periods of time. Plus, they have more of a laid back, acoustic vibe to them, almost alt-country, so it would be a good switch from the electric freakouts of songs like Samson & Delilah, Bertha, and Estimated Prophet. Finally, you could follow that up with their greatest hits, and get songs like Scarlet Begonias, Truckin', and One Toke Over the Line. You could then go back to another live album (they have tons), and get a chance to hear those traditional songs off W.D. and A.B. in a live context. You can't go wrong, I say.
You want a more recent band? Okay, I would say either Red Hot Chili Peppers or Sublime. I am a bit partial to Sublime, so that is who I would choose (No disrespect to RHCP).
With Sublime, you could just play every album in order. The first would be 40 oz. to Freedom, a great choice for the beginning of a road trip. Their style incorporates punk, hip-hop, acoustic ballads, reggae and ska, so it changes from song to song, let alone album to album.
After 40 oz. you get Robbin' The Hood. You can use this time to A) think about how ridiculous Raleigh Theorore Sakers is and B) be baffled as to how Robbin' the Hood came after 40 oz. If you listened to these two albums without knowing anything about the band, you would assume the opposite. Robbin' the Hood is clearly a lo-fi, DIY debut album, and 40 oz. is the wiser follow-up by a more mature band. Nope, you got it backwards.
These guys released 40 oz., which includes hits like Bad Fish, Don't Push, and Date Rape, a monster album when all is said and done, and followed it up with Robbin' the Hood, an album full of instrumentals, fillers, and, of course, the rants of one Raleigh Theodore Sakers. (To give you some insight into why they did that, RTH was Brad Nowell's answer to all the people who thought he was in the music biz strictly for the money.)
The equivalent to this would be something like the Eagles releasing their debut, with Peaceful Easy Feling and Witchy Woman, and coming back with a DJ Sizzurp mixtape.
After this, you could get into their self-titled third and final studio album. Find me one person who would not want to hear Santeria, What I Got, and Wrong Way. The beauty of these three albums is that they have some major, radio-friendly hits, but also songs that could have come from a Beastie Boys, Black Flag, or Jimmy Cliff album. Plus, they cover a lot of good songs, so they got that going for them.
After the three studios, you could finish the trip listening to 2 live albums: Stand By Your Van and Sublime Acoustic. SBYV and SA were recorded pre-Sublime, so you're not going to hear a live version of What I Got or Santeria, but they are real cool albums. 40 oz. is very well produced, with lots of added effects and backing vocals, etc. It is real neat to see them pull off songs like DJs and Waitin' For My Ruca live, with just a bass, guitar, and drums.
Sublime Acoustic gives you a similar feel. It is pretty much just Brad playing with his guitar, and would be a nice change of pace when you are trying to have some mellow time on the road. If there is still some miles to travel, pop in one of the compilations. I suggest Second-Hand Smoke. It has a lot of remixes and dubs, plus it opens with Get Out, which is an awesome song. The thing you will learn about Sublime is that may have the same song on three different albums, but it will sound different each time (kinda like the Grateful Dead).
So those are my two choices: Sublime and the Grateful Dead. In fact, if the question-poser allows me to take both of these artists with me, I could probably make it to California no sweat.
Radio? Where we're going, we don't need the radio!
Oh, and furthermore, Susan, if you are reading this, what do you think? Which artist would you pick if you were on a road trip? And why? How about a desert island? Would you pick a different artist? Maybe we will follow this up with desert island discs.
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